[as freedom is a breakfastfood]
as freedom is a breakfastfood
or truth can live with right and wrong
or molehills are from mountains made
—long enough and just so long
will being pay the rent of seem
and genius please the talentgang
and water most encourage flame
as hatracks into peachtrees grow
or hopes dance best on bald men’s hair
and every finger is a toe
and any courage is a fear
—long enough and just so long
will the impure think all things pure
and hornets wail by children stung
or as the seeing are the blind
and robins never welcome spring
nor flatfolk prove their world is round
nor dingsters die at break of dong
and common’s rare and millstones float
—long enough and just so long
tomorrow will not be too late
worms are the words but joy’s the voice
down shall go which and up come who
breasts will be breasts thighs will be thighs
deeds cannot dream what dreams can do
—time is a tree(this life one leaf)
but love is the sky and i am for you
just so long and long enough
[as freedom is a breakfast food] is, sadly, not about breakfast foods. Or food in general. From my perspective, the poem seems to be about things that are the opposite of what they are (or that seem to have nothing to do with each other, like freedom and breakfast) and it makes you think about the way we perceive ideas. The last stanza, however, makes me think that it is a love poem, but I think it would be easier to understand the poem if I knew the context. Despite it tricking me into thinking about food, I enjoy this poem because it is quite engaging.
This poem, however, I'm fairly sure is a love poem.....
[love is more thicker than forget]
love is more thicker than forget
more thinner than recall
more seldom than a wave is wet
more frequent than to fail
it is most mad and moonly
and less it shall unbe
than all the sea which only
is deeper than the sea
love is less always than to win
less never than alive
less bigger than the least begin
less littler than forgive
it is most sane and sunly
and more it cannot die
than all the sky which only
is higher than the sky
The definition of love is one of the more difficult emotions to describe. Cummings attempts to describe the emotion of love by comparing it to feelings,objects,places etc. that we are already familiar with. Since the order of the word confuses me to no end, I can't say for sure that I completely understand what love is, by the poet's description, it seems to be something nice.
from Cabbage Gardens
The past
will overtake
alien force
our house
formed
of my mind
to enter
explorer
in a forest
of myself
for all
my learning
Solitude
quiet
and quieter
fringe
of trees
by a river
bridges black
on the deep
the heaving sea
a watcher stands
to see her ship
winging away
Thick noises
merge in moonlight
dark ripples
dissolving
and
defining
spheres
and
snares
Place of importance as in the old days
stood on the ramparts of the fort
the open sea outside
alone with water-birds and cattle
knee-deep in a stream
grove of reeds
herons watching from the bank
henges
whole fields honeycombed with souterrains
human
bones through the gloom
whose sudden mouth
surrounded my face
a thread of blue around the coast
feathery moon
eternity swallows up time
peaceable as foam
O cabbage gardens
summer’s elegy
sunset survived
The word "alien force" made me automatically think about an invasion, not necessarily by extraterrestrials. The battle seems to be going on from the sea, but it has moved onto land as well, and the cabbage garden, the title of the poem, seems to represent a place of peace or the time before the war. The shorter lines increases the pace of the poem which I think is interesting.
from Hinge Picture
“Crawl in,” said the witch, “and see if it’s hot enough to put the bread in.”
—Hansel and Gretel
All roads lead to rooms. —Irish Proverb
—Hansel and Gretel
All roads lead to rooms. —Irish Proverb
a stark
Quake
a numb
Calm
*
clutching my Crumbl
ejumble
among
Tombs and
in Caves
my
Dream
Vision
Oarsman, oarsman,
Where have you been?
I’ve been to Leafy,
I’ve dismembered the Queen.
Oarsman, oarsman
What did you there?
I hid in a cleft,
I braided the air.
hearing our oars where their freed goatsteps sped
and are silent
by an extinct river
O Babylon when I lay down
alert for sliding cataracts
where in corridors the print of dancing feet
beyond poise I am prey
posing in snow-light
being of human form
clothed in the scales of a fish
Count him a magician
he controls the storm
walked on the sea shouting
that he is the Logos of God
that he is the Word original and first begotten
attended by power
upheld by his mother
(a very active gesturing baby)
what if Simon Peter Jesus himself
walked among the cold stone faces
shouting NIKA
emptyeyed blanksmiling
Swiftness divination these false gods
their commerce is the cloud
so they can learn what is preparing in the sky
Artificer of the universe
Magician who controls the storm
to see you in one spot
I count the clouds others count the seasons
Dreaming of archipelagos and the desert
I have lived through weeks of years
I have raked up fallen leaves for winter
after winter across an empire of icy light
Light of our dark is the fruit of my womb
or night falling through the reign of splashes
Liquid light that bathes the landscape in my figure
Clairvoyant Ireland
eras and eras encircled by sea
the barrows of my ancestors have spilled their bones
across the singing ear in hear or shell
as wreck or wrack may be in daring
There were giants on the earth in those days
feasts then on hill and fort
All night the borders of my bed
carve paths across my face
and I always forget to leave my address
frightened by the way that midnight
grips my palm and tells me that my lines
are slipping out of question
Divorce I manumission round
with a gentle blow the casting branch
my right hand My covenant
was garment concealed or mask or matron
Proceed with measured step
the field and action of the law
Like day the tables twelve
whip torch and radiate halo
Sky brewing coming storm
Faraway over the hill
when Hell was harrowed
and earth was brought to heel
how the hills spread away
how the walls crumbled
deathcolored frozen in time
Where was the senate zone and horizon
Where are the people mountain of light to the east
Tell them I sail for the deep sea rest
a painless extraction a joyful day
bird of passage over all I love
Goodbye to all the little fir trees
of the future
far off in the dread
blindness I heard light
eagerly I struck my foot
against a stone and
raised a din at the
sound the blessed Paul
shut the door which had
been open and bolted it
Intially, I thought this poem would be a like an epic; telling the story of a man who thought he was stronger then Gods. But towards the middle I got completely lost as it seemed to deviate to something different. I enjoyed the pacing of the poem, however, where it starts off slow and builds to the chorus before slowing down again. I may not know what it's supposed to mean, but I'm assuming the middle part was probably the most important part.
Seasons of the Heart by Linton Kwesi Johnson
Beguiled by blue moon
Oh, enchanting light
We lost our way like lovers sometimes do
Searching, wide-eyed, for wild flowers
In the fragrant forest of the night
Now memories slowly drift on by
Like grey clouds against the somber Winter sky
And all our yesterdays are now become
The Springtime of our days
Life is the greatest teacher
Love is the lesson to be learned
Like how the heart’s seasons shift
How the sweet smelling blossoms of Spring
Are soon become the icy arrows of Winter’s sting
How Spring, intoxicated by the sun
Now throws off her green gown
And Summer’s golden smile is soon become
The frown of Autumn’s brown
How passions spent
We droop, like sapless vines
In the Winter of our minds
Oh, enchanting light
We lost our way like lovers sometimes do
Searching, wide-eyed, for wild flowers
In the fragrant forest of the night
Now memories slowly drift on by
Like grey clouds against the somber Winter sky
And all our yesterdays are now become
The Springtime of our days
Life is the greatest teacher
Love is the lesson to be learned
Like how the heart’s seasons shift
How the sweet smelling blossoms of Spring
Are soon become the icy arrows of Winter’s sting
How Spring, intoxicated by the sun
Now throws off her green gown
And Summer’s golden smile is soon become
The frown of Autumn’s brown
How passions spent
We droop, like sapless vines
In the Winter of our minds
Another poem attempting to describe love, this time describing the falling in and out of love with the seasons. A lot more straightforward then the other poems I've just read, it makes it easier to understand the message of the poem when you don't have to spend several hours researching what the poet was really talking about. Since Spring is widely considered to be rebirth, or beginnings, the poet obviously starts the description of the first feelings of love with the description of spring.
Yout Rebels by Linton Kwesi Johnson
I couldn't find the actual poem on the web and I'm too lazy to actually type it out SO you'll have to take my word for it. The poem is about the black youth who the poet feels will change their own futures in regards to racial discrimination. The way he writes and spell the words he uses, makes it sound like the way someone would speak, if they spoke like a Jamaican. The poem is fun to read, especially with a group of people who think you are just being weird and purposely trying to do an accent.
I can agree that in E.E. Cummings "love is more thicker than forgot" she is trying to describe a very complex emotion. I find it interesting how you mention she also compared it to feelings, objects and places but it also makes sense since people can get attach to certain things that fit their needs or give them a sense of happiness. Love doesn't always have to correspond to a person.
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