When I was growing up, there was a plaque on the dining room wall that had dried flowers surrounding a bit of cursive writing. The poem was called The Rose. I asked my parents about it and my mother told me that, on the day of her and my fathers wedding, my fathers friend had given it to them as a wedding gift. My mother had always thought that his friend had had a bit of a crush on her and was a bit saddened when she went and married my father. It was my favorite poem for several years especially since it goes hand in hand with my fondness for flowers.
The Rose
A single rose
to you I give
And no one else today
This rose I hope
Will make you smile
As you go on your way
A single rose
So nice indeed
I hope will make your day
To show my love
Is strong for you
No matter what others say
Yet we know
This rose will wilt too soon
It will not last forever
But my love for you
The love between us
I hope nothing will sever
So take this rose today
Do think of me and smile
This rose will wilt, we know
But I will stay a while.
Techno Poetry
Sunday, December 8, 2013
A Bit of Research on Language Poetry
During
the 1930s to the 1950s, the Black Mountain College began
experimenting with a new method for education; stressing greater
importance on the arts. The theory was that it was essential for
human understanding, when combined with technical and analytical
skills as well. Charles Olson, one of the teachers at the college for
a few years, came up with the term "projective verse", in
which they stressed more importance in the process of a poem as
apposed to the final product. Similar to modern art, this would
create a lot of works that seemed to lack a description or reason,
but would allow the creator to be spontaneous and not become chained
down by the rules of language. Without being chained down by the
rules and boundaries of the language, poets would be free to express
themselves. This would all eventually lead up to the development of
the Language school of poetry.
Language
poetry (also referred to as L=A=N=G=U=A=G=E P=O=E=T=R=Y, if you have
the time to type that out) was a movement that was developed in the
1970s that would place greater emphasis on language of the poem. In
other words, rather then the poet trying to find the words to get
across their idea, they would instead use words that would create
their own meaning. Poets would not have to concern themselves with
whether or not the words they were using would get the message
across, but instead finding words that can be given new meanings.
This would get the reader more involved in the writing, as humans are
typically always looking for meaning or patterns in whatever they are
involved in, they begin to find new ways to approach the poem so that
they can give it meaning. This, in turn, would create more interest
in the structure and rules of the language and how rearranging them
can change how ideas are represented, formulated and transmited.
This, in it's own way, was a revolution against the social polictical
structure that was currently in place for the English language and
would result in causing the reader to begin to see text of any type
in a new light. They could see pass the definitions that were already
enforced and see a new way in which the words can be interpreted.
Charles
Bernstein is a poet, an essayist, and a literary scholar and is known
for being one of the editors for the magazine L=A=N=G=U=A=G=E which
was condsidered the starting point for Language Poetry. He has
written several poems that are good examples of what Language poetry
is. His poem thinkingi think i think when
first read, seems to be like taking a glimspse inside a mans head;
the thoughts have little to no connections with eachother and they
ranch in topics from what seems to be sports headlines to snippets
from books. When first reading through it, the reader will be at
first, completely confused and the more they try to break down the
meaning or the purpose of the poem, the more frustrating it becomes.
They could try reading the first letter of every line only, reading
only every other line, cutting the paper into bits and rearranging
them into shapes to see if this has been some simple trick, but with
any new modern art, part of the meaning can be derived from how the
poem was created in the first place. In an interview with Bradford
Senning, Bernstein can be quoted for saying "I want to engage
the materials of the culture, derange them as they have deranged me,
sound them out, as they have sounded me out." Many of Bernsteins
poems, such as
DearMr. Fanelli
or
ATest of Poetry
deal with the modern world and include text that have been take from
our time from places such as official documents, advertisements,
articles etc. and set them up in a way that makes it seem surreal to
the reader and causes them to ask questions and really think about
what they have just read. In this way, Language poetry does not focus
on any meaning that the writer may have been trying to get across,
but instead, causes the reader to become more engaged with the text
they are reading and use the words that are there to create their own
meaning.
Other
Language poets including Michael Palmer, Rae Armantrout and Susan
Howe, also feature poems that do not seem to follow a purpose or
narrative. Susan Howes poem, from
Cabbage Gardenshas been interpreted in various ways; being about an individual
seeking guidance, a battle by the edge of the sea or even the poet
remeniscing about days gone by. Neither of these interpretations are
considered wrong, and the wonderful thing about Language Poetry is
it's ability to bring forth the imagination of the reader. Though
most conclude that it makes no sense and is complete nonesense,
readers are still able to gleam a bit of meaning on their own thus
proving that the poet does not need to concern themselves in finding
words to create meaning, but instead trust that meaning can be
gleamed from the words that are given.
All
in all, Language poetry has had an immense influence not only in the
poetry world, but in the day to day lives of any person. They do not
need to be professional poets or even have a lot of experience with
the English language. Language poetry can be seen with all sorts of
different meanings and they can still be considered correct. It does
not focus on the meaning that should be there, but instead, the
meaning that could exist. By ignoring the model for creating
narratives, Language poets have discovered new ways in which to
engage the reader. They have shown that meaning can be gleamed from
something that did not seem or intended to have, meaning before.
Language Poetry brings out deeper meaning from our language and
allows any reader to see the world from a new perspective.
Works
Cited
"A
Brief Guide to Language Poetry." Poets.org. Academy
of American Poets, n.d. Web. 05 Nov. 2013.
"Charles
Bernstein." : The Poetry Foundation. N.p., n.d. Web.
05 Nov. 2013.
"Glossary
Terms." Language Poetry : Glossary Term : Learning Lab :
The Poetry Foundation. N.p., n.d. Web. 05 Nov. 2013.
"Poetry
Previews: Language Poetry." Poetry Previews: Language
Poetry. N.p., n.d. Web. 05 Nov. 2013.
Poets who use Technology
Shane Koyczan
Animation has been around for
quite a while, ever since artists discovered that they can make their
drawings appear to move by creating more drawings in slightly
different poses. Animation, as an art, is important in that it can
move like a film, but look like a painting allowing artists to not be
restricted by laws of physics or lack of funds to make everything CG.
Shane Koyczan is not an animator, but a few of his works have
featured animation done by fellow artists who help to establish mood
and emphasize certain aspects of the poem. Coupled with the poets own
voice, this creates an experience that can be very powerful as it
appeals to both the visual and audio senses of the viewer as opposed
to them simply reading the poem in whatever voice they think fits. An
example of this would be his poem To This Day. With the use of
animation and the sound recording technology of today, poets like
Koyczan no longer have to rely on spacing of their words but,
instead, show the viewer what the poet himself feels and sees.
Kenneth Patchen
Paint has been used as an
artistic medium for several centuries. Originally, paint was made
through the grinding of minerals which would be combined with oils to
make, what is known today, as oil paints. The process of creating
paint is time consuming and often dangerous as the dust from the
minerals could cause a variety of health issues. Around the 1930's
acrylic paints, which are primarily water based paints, were being
developed. Water based paints were more practical as they did not dry
as fast and could be modified easily just by adding water. During the
1930's, Kenneth Patchen was an American poet who often incorporated
various media to create his work. Jazz music, drawings and even
paints were used that would catch a person’s eye. By using paint,
Patchen was able to be more expressive with his poetry and,
therefore, give it more life. His poem An Interview with the Floating
Man features blocks of text that are separated with what appears to
be shapes of animals, as if the animals are characters in this poem.
Anatol Knotek
The typewriter was an
incredibly important invention for poets as it allowed them to space
words and phrases evenly without requiring them to spend vast amounts
of time measuring. It also allowed to explore new creative
possibilities. With the invention of the computer, these
possibilities of increased tenfold. The poet can now warp words,
shrink letters, change fonts, colours etc. all with a click of the
mouse. Anatol Knotek is an Austrian artist who creates poetry through
the use of a typewriter, newspaper clippings and computer programs
that are able to manipulate text. With the computer, he can create
clean, precise images and still be able to make changes very easily.
His poem Countdown, for example, would be difficult to create several
decades before as it would take up a lot of time to make something
that may not even work. With the use of computers, it opens up new
ways to explore how words can be manipulated and can inspire poets to
try new things.
Stephanie Strickland
Originally created so that
universities could communicate with each other, the internet has
spread throughout the world allowing people to access information in
no time. Many people create websites of their own when they have
information of their own that they want to share with others.
Stephanie Stickland, like many artists of today, has her own website
which features not only information about her, but also her poems.
Unlike some poets, Strickland, with the help of a programmer, creates
poems that not only feature visuals and sounds, but are also
interactive. Many of these poems were created before the creation of
many mainstream video players such as Youtube, so being able to have
visuals, sounds and still have the capability to pause and got back
at certain points, was the best thing at the time. Stickland could
set a mood easily with the visuals and sounds without the reader
having to go through most of the poem to find out what the mood is.
Errand Upon Which We Came, has visuals of flowers and butterflies as
well as the sounds of birds which creates a calm and relaxing mood.
Genco Gulan
QR codes have been around
since the smartphone became popular. QR codes store information that,
when scanned by a smartphone, the user can read. This allows
companies to create easy access points on advertisements so that
passersby can go to the company’s website easily. Genco Gulan, a
Turkish conceptual artist, created a poem using two letter words from
different languages and then converted it into a QR code. As the
artist believes in a feature that relies heavily on technology, this
could represent how he believes that poetry will be presented in the
future; as a tiny square that can be scanned on the go. (And since I
don't have a smartphone, I don’t know what the poem says or if it
has anything to do with the fact that it is contained in a QR code)
Poets sharing Poets
Found an article through a link of a fellow poetry blogger that I found interesting. Some of the readers of Robert Brewers blog were challenged to find a couple of poetry collections that they personally enjoyed. One such example posted by Jessie Carty gives us a couple of poetry collection books that she found fun to read or even inspiring. I always like to see what other artists are inspired by cause it gives you a glimpse into how they approach their own art.
Thursday, December 5, 2013
Poetry in Transit
If anyone has taken the TTC buses before and has managed to get a look over the heads of fellow commuters to read the advertisements, you may have noticed a poem. These are not just random poems that just so happen to have been plastered where a McDonalds advertisement should have been, but poems that have been written by world renowned, Canadian poets. In partnership with the League of Canadian Poets, Pattison Outdoor Advertising has reintroduced a concept that was started in 1996 where poems are featured in various public transit areas. This helps bring awareness for the various poets that exist today and can give the commuter something to do other then trying to avoid making eye contact with other people. If you want to learn more about this then I suggest you check out the link here . Or just hop onto the next TTC bus and check out some poetry.
Wednesday, October 30, 2013
Poems from Tumblr
Though I tend to use my tumblr account mostly for drawings,pictures or other random visuals, a poem does happen to pop up on my dashboard once in a while. I thought I'd share the two I came across the last month cause I like them for their intensity.
http://lexysama.tumblr.com/post/65507408936/sweaty-goddess-buttonpoetry-rachel-wiley
http://ladyzolstice.tumblr.com/post/62712154284/ishipthat-shanwaters-archiescrush
http://lexysama.tumblr.com/post/65507408936/sweaty-goddess-buttonpoetry-rachel-wiley
http://ladyzolstice.tumblr.com/post/62712154284/ishipthat-shanwaters-archiescrush
Sunday, October 27, 2013
Poem Recording
Sick people should not do recordings of their voices. I realized this last week after the 10th attempt of me reading a poem resulted in tears as I listened to the nasally sound of my stuffed up voice. No matter how hard you try to cover up the sniffling, you can still hear the reader choking on their on phelm.
So, after a few days of popping pills and sleeping, I managed to take back my voice and record me reading one of my favourite poems as a child, Annabelle Lee by Edgar Allan Poe. I tried to read it with my energy at first, but then I got horribly embarrassed and settled with being mediocre.
Here it is! https://soundcloud.com/acadicus/annabelle-lee
So, after a few days of popping pills and sleeping, I managed to take back my voice and record me reading one of my favourite poems as a child, Annabelle Lee by Edgar Allan Poe. I tried to read it with my energy at first, but then I got horribly embarrassed and settled with being mediocre.
Here it is! https://soundcloud.com/acadicus/annabelle-lee
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